Date of Award

12-2025

Document Type

Thesis

Degree Name

Master of Arts in English and Writing Studies

Department

English

First Reader/Committee Chair

Dr. Ann Garascia

Abstract

This paper examines how The Real Housewives of Atlanta functions as a modern form of Greek tragedy through its portrayal of Nene Leakes, whose rise and fall within the Bravo franchise mirrors the tragic arc of Euripides’ Medea. Both Medea and Leakes represent women who defy the systems that once empowered them Medea through her rebellion against patriarchal and familial structures, and Leakes through her public confrontation with the television industry that made her a star. By analyzing these two figures through rhetorical, feminist, and media studies frameworks, this paper argues that reality television operates as a contemporary stage of classical tragedy. In this case Nene Leakes’ life is transforming from the personal struggles of women into public spectacle, emotional catharsis, and cultural commentary. There is similar structures between both reality television and Greek tragedy. Both of these dramas rely on tension, rebellion, all while evoking empathy and judgement from the audience.

Share

COinS