Document Type

Article

Publication Date

2026

Publication Title

Latin American Antiquity

Volume

37

Issue

2

First Page

403

Last Page

422

ISSN

2325-5080

DOI

https://doi.org/10.1017/laq.2026.10175

ORCID

https://orcid.org/0000-0002-9114-5875

Publisher

Cambridge University Press

Keywords

deity embodiment; Indigenous ontology; nagualism; Oaxaca; transformation

Abstract

A hallmark of ancient Mesoamerican art and religion is the ability of ritual practitioners, sometimes called “shamans,” to transform. The Olmec were-jaguar is a well-known example of the phenomenon. Artifacts from different regions demonstrate that these beliefs involved many animal and spiritual entities and a porous boundary between humans and other beings. In this article, we examine the archaeology of ritual transformation in Preclassic or Formative period (2000 BC–AD 250) Oaxaca, Mexico. As links between the physical world and other dimensions, altered bodies reflect negotiated relationships among people, animals, ancestors, deities, and landforms. Traditional interpretations of transformational art have oversimplified the role of non -humans in these processes by representing ritual practitioners as “impersonating” other beings; for example, by wearing masks. We draw on almost two centuries of archaeology, Indigenous history, and ethnography to demonstrate that the reification of separate cultural and natural worlds is a modern artifice that would be unrecognizable to ancient Oaxacans. It was via transformation that ancient Mesoamerican people intimately knew their world, engaged the senses, and acquired knowledge.

Rights

© The Author(s), 2026. Published by Cambridge University Press on behalf of Society for American Archaeology. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.

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