Date of Award

2005

Document Type

Thesis

Degree Name

Master of Arts in English Composition

Department

English

First Advisor

Carlson, David

Second Advisor

Doane, Margaret

Third Advisor

Pigeon, Renee

Abstract

In Marion Zimmer Bradley's retelling of the Arthurian legends, The Mists of Avalon, she creates two dystopic cultures: Avalon and Camelot. Contrasting Bradley's account of the legends with the traditional version, Sir Thomas Malory's Le Morte d'Arthur, reveals that Bradley's sweeping revisions of the tradition do little to create a feminist ideal. A skeptical questioning of the text's plot and characters with the Women's Movement in mind opens an interpretation of the text as a critique of feminism itself.

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